Some Whole Wheat Words

And Other Up-Lift

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friday night seoul air smells of hot puke and fresh tar

the sky as dark as drool

the neon gutters snakehipped in our alcoholic breath

reflecting, blue as veins, the shaking signs of chicken-foot soup

the scissoring legs of the moving partiers

the stares, the dirty windows mirroring, telling us

there am I

Written by wholewheatwords

June 17, 2011 at 11:33 pm

Posted in Uncategorized

28 May 2011

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I think it’s liftoff I fear. It forces you into the immediate. I am no longer in control, you say. I can’t just unbuckle and walk away. I think a little bit about SAMs, a hot streak of parasitic metal, tearing. My near future is starting to congeal, here on this airplane, surrounded by the ballerina-like stewards of a foreign airline. They are trying to create an impression of flight and travel that is being distorted in translation. I understand that flying is an event and that to instill a sense of authority and safety in the sky, which is functionally a social nowhere, requires makeup, hair ribbons and cream- or teal-coloured suits. We will be creating a temporary country up there, and we need to be able to trust our new government during the transfer of power. Transfer of power. I think of Kim Jong-Il and of SAMs, a beam of ozone and propellant, tearing. Korean trips on the tongue in waves, slowing and starting. I am going to a new country. I am no longer in control.

Written by wholewheatwords

June 12, 2011 at 12:34 pm

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And That Was That

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A girl and a boy on a rooftop patio under heavy rainfall. The boy holds a umbrella over them and they drink gin & tonics while the patio empties.

 

A girl and a boy undress each other for the first time.

 

A girl and a boy at movies, her head resting on his shoulder.

 

A girl and a boy sit at a bar, hunched over hot ciders with brandy, hands in hands as though conducting a seance.

 

A girl and a boy watch a possum trundle down their street. They walk alongside it and try to ask it questions.

 

A girl and a boy talk late late into the night, warm under a goosedown duvet.

 

A girl and a boy sit on a reservoir hill and watch the sunset vignette the antique telephone poles.

 

A girl and a boy drunk on sparkling wine.

 

A girl and a boy on a bus coming back from an airport.

 

A girl and a boy in each other’s arms. The boy lifts the girl and spins her around, knowing he probably won’t see her again.

 

Written by wholewheatwords

January 25, 2011 at 3:41 am

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Scantrons

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I kind of always wished that if you put enough of your emotion into the details the story would just tell itself.

There’s a white deck chair at the back of our backyard I like to think of as Dad’s Chair. It’s almost lost under the thick staghorn sumac that grew up in a cretaceous pallisade last summer, when we were first taking care of him and forgot to mow them. They’re like trees now. Sometimes I’m washing dishes in the evening and I let go of a plate, and as it sinks down into the basin I look out of the window past my reflection and imagine him sitting out there under all that green. Soap dries on my skin and the plate hits the bottom of the sink. I mow regularly now.

Egg Boy is my superhero alternate self. I came up with him as I walked back home through Chinatown after seeing a movie. He is perfectly self-contained inside of an energy field, which protects him from harm. His iron will allows him to focus on a single task unbendingly without becoming distracted. And his sunny centre keeps him happy even when nobody is around. He is complete inside his energy field, a unit separate from all others. He ate some eggs benny from Futures made with irradiated eggs.

Wrote this for Jen back when she was:

When I’m away
and bent into the sofa
listening to the oxygen machine
groan in rhythm
like ropes across the deck
of the ship of my father,
I look out
over
that vast river he’s crossing
I feel the chill on my feet
and feel the pull
of the neptunian velvet
and I begin to sink
into the cracks in the cushions
and the plaster ceiling crashes
in moving waves above me
like foam on the surface
I come unmoored and drift
but you are my strong bronze anchor
with sandy feet
and you stand where the water is warm
and the sun fills it like flaming copper
and the fish are gilded swarms
and you pull me back
link by link
from the rocks

Written by wholewheatwords

August 25, 2010 at 2:50 am

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Connors Road Bridge, Family Day 2008

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A week after I visit the School, my father calls me and invites me out to Edmonton, where he’s acting in a show. He has practiced and advocated Homeopathy for about nineteen years now.

I haven’t told him that I’m writing an article. I take the ticket.

His hotel room at the Coast Edmonton House has a particular ‘temporary’ vibe which gives it more the impression of a container than a living space. It’s nice, though. Clean. The view is excellent; at night with my jet-lagged mind begging for sleep I pull back the curtains from the window—which takes up an entire wall—and look out through the peeling white rails of the balcony at the city spread before me like a golden circuitboard. Seven tall buildings have pulled themselves from the darkly bioluminescent sea of streetlamps and headlights, and they watch me unblinking with twinned pairs of red air-traffic warning beacons. I find them unsettling. I point them out to my father the next evening and I think they unsettle him a little, too.

We talk about nothing. Things are calm for two days.

On the morning of Family Day he broaches the topic and we start arguing. I’ve attacked him, he says. I’ve attacked him. He doesn’t understand why people won’t leave him alone to read his books. He just wants to be left alone. We start arguing about Miasms.

“So, fine,” I say. “Does the Miasm Theory really have a better rate of prediction than Germ Theory? Does the Miasm Theory—”

“It’s not a theory,” he says.

“What is it, then?” I yell, and we are silent for a minute.

We argue to a standstill and go for a walk. The river valley where I spent the majority of my childhood has changed. A large field which formed the centre of the community I remember has been bulldozed. We talk around the subject as we stroll up the newly-paved roads and pass by houses in which I used to live. They’ve changed, too. There is garbage on the lawns and the stucco is stained and satellite dishes have been bolted to the roof or propped against a wall. The lights are off but inside I see glaucous ferns growing from the white carcass of an old barrel-shaped washing machine. A little girl in a pink vinyl raincoat is playing in the rough woodchips that make up a lawn.

The argument begins again as my father and I take a frozen bikepath up the lip of the valley back to the hotel, and with no other family members around to mediate between us it starts to become the worst fight we’ve ever had. I don’t remember the exact order of the conversation; I didn’t take notes.

“I can’t believe you chose to write about Homeopathy,” says my dad as we crest the ridge of he hill. I assume that he’s joking and start to laugh.

“It’s not funny,” he says, suddenly very angry. “Why did you choose it?”

“It… it was on my mind,” I say, looking at him and then away.

“Oh really. Then it has nothing to do with me? Why didn’t you tell me you were writing it?” He says.

“No, it was just—I thought it would be interesting. It was just on my mind,” I say, but of course it does. “I didn’t want it to be about you. It— I wrote it for me. Myself,” I say. But this isn’t true, either; when I first thought of doing the article I was in the Dominion close to campus and I was walking slowly past the eggs and cheese and thinking about just how I would form the best argument to change his mind.

“You wouldn’t know about Homeopathy without me,” he says. “You never would have heard about it.”

“So? This is about, it’s a personal thing. A personal investigation. You weren’t even supposed to be in it.”

Ten seconds of angry silence.

“I think you need to change your article. I think you need to choose another topic,” he says.

“No, It’s too late now. It’s too late to stop, and I wouldn’t anyway,” I say. “It’s twice as written now.”

“If you keep writing it the way that you’re writing it,” he says, “then I think that our relationship is going to be damaged. Seriously damaged.”

Don’t you fucking tell me what to write,” I say. My voice is shaking. We pass a group of three people in ski suits and they try hard not to look at us. My stomach clenches and my legs fill with lactic acid and start to burn.

“God. God,” he says. “I don’t know what— I don’t know why this happens. Your mother does it, all the women in my life have done it. Now you’re doing it, too.”

“I’m not ‘doing’ anything,” I say, my voice still uneven. “You aren’t seeing the article. You aren’t seeing anything I write, or my marks, from now on.”

“Well, I want my goddamn ticket back, then,” he says.

I pull the yellow-paper comp for his show out of my pocket. “Take it,” I say and give it to him. He begins to cry.

I wish you had told me what you were writing.” He’s choked up. “If I knew what you were writing I never would have brought you out here.” I say nothing. He walks behind me for a bit and composes himself and I watch the artificial-looking evening sun ricochet off of the frozen surface of the river.

Some time passes silently and then he draws up on my left. “Both your mother and I have argued and argued and argued about this,” he says. “Constantly. And we always, at the end we always come to the same conclusion: it’s not about Homeopathy. It’s not about Homeopathy. It’s some weird… thing that we get into. It’s different. It’s like, all my life I get attacked by the women I know. But it’s not about Homeopathy.”

“It is,” I say. “This is. That’s you and mom. That’s you and— this is about Homeopathy.”

“It’s not,” he says. “It’s never about Homeopathy. Your mother and I always come to the same conclusion and to say that it is is ludicr—”

No,” I say. “You’re wrong. It’s about Homeopathy. It’s about Velikovsky. It’s about Plasma Cosmology.” His three pet topics. One of them is guaranteed to come up in all but the most vapid and meaningless of our conversations.

He turns around without a word and walks away down the trail and I continue forwards, my boots crunching over the beige ice. They sand in Edmonton instead of salting and gritty berms of brown snow are a common sight after a thaw. I pass a green metal bridge which I crossed often in the summer when I was a kid, but it’s winter now and still ferns of frost cover the rivets and icicles hang from the railings. It’s always summer in my memories; the Saskatchewan river is smooth and glossy, barely disturbed by small motorised pleasure-craft and rowers like water-striders. The only boat visible today is the Edmonton Queen. Its paddles are motionless and it is frozen into the river alongside a snowy dock.

Lots of people get estranged from their fathers, I think. Plenty of people.

I climb the wooden stairs that lead up the slopes of the river valley toward Jasper Avenue and stop on the second landing and take out my pad and pen. I scan the path leading away from the base of the steps for my father but don’t see him and take down a few descriptions in my notebook, my hands seizing up in the dry Alberta cold. The buildings, which are typical of Edmonton’s dark grey Brutalist concrete slabs, catch sunset on their sharp edges like a coat of orange watercolour and I note the clouds moving in sheets across the wide prairie sky and then stop because I can’t see through the tears. The sun sets. I close the notebook and put it away and leave.

Two and a half years later he dies of cancer.

IMMORTAL HAHNEMANN

Hahnemann’s Theory rests immovably on eternal laws of nature. It will be as immortal as nature herself and with its creator, Samuel Hahnemann, it will remain for ever immortal. With imperishable lettering his name will be inscribed in the history of therapy. The brilliance of his name will cast a light not unequal to that of the greatest intellectual figures of all times. As time passes by, the world will realize more potently what, in his justifiable pride and yet noble modesty, he desired to be the inscription for his final resting place on earth:

Non inutilis vixi! [I have not lived in vain!]

–Richard Haehl,
“Samuel Hahnemann,
His life and work”,
Vol 1 p. 436

Written by wholewheatwords

August 12, 2010 at 1:11 am

Posted in Uncategorized

1959-2010

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Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

Dylan Thomas

Written by wholewheatwords

August 1, 2010 at 3:15 pm

Posted in Uncategorized

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Now I’m on a shisha patio
a mild inebriant
gentler than beer
the goldenness in the mind
instead of the glass
the effect smaller and self-contained
not reaching too far or promising too much
I browse facebook
my friends are going pear-picking tomorrow
the promise of grainy pearflesh
pear tart, pears in brandy
pear preserves
seething the pears in honey
removing the skins with the fingernails
the promise of a pear small
curved and self-contained
hanging low in the quiet sunlight
not reaching too far into the tree
hand to basket
hand to basket
not speaking to each other
letting the day seethe through the skin of the arms
the fingernails, the face
a mild inebriant

Written by wholewheatwords

February 22, 2010 at 1:29 am

Posted in poetry

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